Comedies of the good times | Sana Younes .. Pioneer of high-end comedy Follow the latest news through the application google news

Comedy is a kind of beautiful characterization with a special character, in which the actor embodies certain characters in funny images and paradoxes, leading to performances written with the aim of entertaining in easy chapters that arise about paradoxes and timeless euphemisms to a state of joy and happiness for the audience.
Under the dome of the theater gathered all kinds of arts, and during his long journey he stood early on the stage of it; A group of pioneering women from their early stages to the present moment, providing an immortal legacy that will last forever.

Theater historian d. Amr Dawara “The Gate” with unpublished chapters from his new encyclopedia “Ladies of the Egyptian Theater”, which includes the biography and theater career of 150 pioneers, from the beginning of modern theater 1870 to 2020, accompanied by rare pictures, either personal or of their theatrical performances, and they succeeded in contributing their creativity to Enrichment of the Egyptian Theater Procession.
And during the days of the blessed month, we will continue to publish 30 episodes of the biography of the pioneers of Baran in the comic roles, having presented a number of series on the pioneers of Egyptian theater in recent years.

Actress Sana Younes

The daughter of the eastern city of Zagazig, the artist Sana Younes (March 3, 1944 – May 20, 2006), possessed great artistic skills and abilities, including the ability to improvise and the participation of senior stars in the presentation of high-end comedy. of vulgarity and depravity.She obtained a Bachelor of Arts in the Department of Sociology at the Faculty of Arts Alexandria University.
Her artistic beginnings were by the “University Theater” and the Alexandria Theatrical Troupe, in which she participated in the play “The Swinging”, and then introduced by the “Theatrical Television” teams since 1963, as Dr. Amr Dawara pointed out, so she participated in some performance groups: “The Comedy”, “The Pocket”, “Al-Hadith” and “Al-Hakim”. Among her most famous plays during the sixties was the “Comedy Theater” group. In the early seventies, she joined the “Pocket Theater” family, which was later renamed “The Vanguard Theater”.
She was distinguished by her rendition of simple social roles, in a way far from trivialization and artificiality, and she excelled especially in presenting comic roles.Her provocative expressions, “Evhat”, were played in the plays, which cemented and stuck in the audience’s memory.
She has twice through the experience of working as a presenter, the first on the Dubai screen through the “On the Exposed” program, and the second on the Nile Variety Channel through the “Sana” program, and with the beginning of the new millennium she announced that she had to retire from artistic work for her refusal to participate.In those declining works that are presented to her and do not fit her artistic status, and indeed, during that period she did not participate in nearly five. films until her departure.

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Sanaa Theater
The theater offered her the opportunity to play some absolute bright roles, but during her theater career she could not gain membership of one group and be associated with it, so she had to move between a large number of theater groups, and the most important of those groups that refined her talent were: “The Pocket” and “Comedy Theater.” And “Madbolism”, and “Egyptian Comedy”.
Among the most important dramatic characters she embodies in the theater: the character “Fawzia” in the play “Sk Ali Banatak”, “Janet” with “Romeo and Janet”, “Director of the Orphanage” with “Hala Habibi”, and ” Nazik ”, the sister of the former chairman of the council. With “My Best Regards,” and “Intercessions” with “Ali Balata.”
She co-starred with the “Comedy Theater” group: “Your Dream, Sheikh Allam” in 1963, “Halet Hob” in 1965, and “Passport Must Be Complete” in 1998; and with the “Modern Theater” group: “Sayed Darwish, and watch out for the paint” in 1965; and with the “Pocket Theater” group: “Laila and Majnun” 1970, “Al Ghoul” 1971, “A bachelor and 3 spinsters” 1972; and with the “Al-Hakim Theater” group: “The Dabash Family Trial” 1971; With the “Vanguard Theater” group: “Romeo and Janet” 1978, “Black Rabbit” 1999; And with the “National Theater”: “House of Spinners” 1991.
As for the private sector, she presented the “Egyptian Comedy Group”: “Hello Dolly” 1972, “Sk Ala Banatak” 1980, and “Hala Habibi” 1985; and with the “New Theater” group: “Shame, Teacher” 1974; and with the “Al-Madbolism” Orchestra: “Daughters of Al-Ajami” 1976, “With My Sincere Greetings” 1979; With the orchestra “Oscar”: “On a Tile” 1993; And with the “Mandowa” group: “Farah Adela” 1995.
She participated in many illustrated plays, including: “Oh, peace with you, goodbye, money, a shared apartment” in 1981, “Mama Aqeela” in 1982, “The woman is the last one to know” 1985, “Fake Doctor “1988, and Fraud” 1989, “People on the Air” 1990, and “Your Evil Rewards” 1994.
Through her previous plays, she has collaborated with a selection of directors, including: “Mohamed Tawfiq, Abdel Rahim Al-Zarqani, Abdel Moneim Madbouly, Jalal Al-Sharqawi, Mohamed Abdelaziz, Hassan Abdel Salam, Ahmed Zaki, Mr. Radi, Samir Al-Asfouri, Fouad Al-Muhandis, Mohamed Sobhi, Mahmoud Al-Alfi and Hani Mutawa. ” , Abdel-Ghani Zaki, Magdy Mujahid, Shaker Abdel-Latif, Maher Abdel-Hamid, Zaghloul Al-Saifi, Shaker Khudair, Farouk Zaki, Essam El-Sayed and Nasser Abdel-Moneim.

In the cinema
The movie theater offered her the opportunity to take part in the portrayal of several main and secondary roles in almost 50 films, including: “Rumor of Love, Strike of the Shahatin, Beware of Men, Mama, Resignation of an Atom Scholar, Egyptian story, Raya and Sakina, The last of the respected men, the flood, hunger and the world on the wing. ” Yamama, the Majnun, another generation, difficult spouses, laughter, play, struggle, love, strawberry war, hot night, fate, honor, passport by a republican decision, lovers’ stories, fears and doubts, the war of Italy, and the dreams of our lives.


Television drama benefited from her talent and distinction, and she participated in more than 150 series and television evenings, in which her roles ranged from melodrama, tragedies and also comedies, including: “A woman defeated me, people and people (C1, 2), Doubt, the last scene, crime, back streets, Fares. Dreams, Captain Gouda, Al-Bashayer, Zancoloni, Al-Mawardi Street (C1 and 2), Al-Wasiya, Abu Al-Wafa’s Journey, Abla Hikmet’s Conscience, One Thousand and One Nights, Al-Halwani Gate (C1) “The Secret of the Earth, Family, Al-Sharqi, Who, Helmiya Nights (C5)), Sabah Al-Ward, Al-Sirah Al-Hilaliya (P1), Molaselika (Setcom), Client 1001, Fawazeer Occasions ..” , in addition to a large number of sketches and television evenings, including: “Happy Day and Unhappy Day, Faithful, Nawara, Kid Women, Si Atwa.”, heir, sub-zero, “My Life” program, Captain and Rose, sister, Luqmat al-Qadi, Janab al-Sitt Reda, servant, Bassiouni under the dome, deposed, etc … “; It also contributed to enriching Egyptian radio with some prominent dramas, which are hard to count, for example just the series “Hene wa Akhawata”.

Egyptian filmmaker
She had a great love story that she collected with the giant artist Mahmoud El-Meligy, and she was emotionally associated with him during their participation in the series “Shadows of the Years” in 1964, until their relationship consolidated and love between they have grown. while participating together in the play “Shame, Miss” in 1974, they decided to couple and crown their love through a marriage, but they both agreed not to announce their marriage to the feelings of his first wife, the artist Alawia, to preserve Jamil, whom he loved and could not tell her about this marriage, and she actually remained on his account until his death, and Younis kept her promise to him, and she kept the covenant even after his death for more than 10 years. For years, she refused to announce their marriage, and also refused to inherit from him out of respect for her covenant with him, and she agreed to retain the title of “the spinner of Egyptian films”.

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Source: “Al-Bawaba News”

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