Rais Al-Hussein Mufleh, Pioneer Artist – Agadir 24

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Alliance of disease and marginalization

The artist, Al-Rais Al-Hussein Mufleh Al-Shatouki Al-Adozi, is considered one of the few artists from the generation of pioneers of Teroisa art who are still alive despite the suffering they have suffered.

The artist Rais Hussein Mufleh was born in the 1930s between 1934 and 1936 in the Aduz Osoud rotunda, which is currently affiliated with the Wad Al-Safa community, Ashtouka Ait region, from a wealthy family living in agriculture is active due to the agricultural nature of the Ait Omlal region.

Despite the family’s ownership of fertile land used in agriculture, Al-Rais was fascinated by music, and so he began attending the circles of Ahwash, “Ahangar” and “Ajmak”, which are the music genres with which the region was known until he mastered. their practice and even surpassed his peers by learning the desert rhythm by which he was known and in And he was known.

In parallel with the mood of the rhythm, the artist learned to play the Al-Rabab Al-Susiya, which is the instrument that

What gives its owner the adjective “rais”, so he mastered and mastered it, which made him to accompany his friends in evening evenings, wedding parties and family events with celebrities and the public.

Al-Rais Al-Hussein Mufleh was an apprentice to Al-Rais Al-Hussein “Janati”, one of the most important artistic figures in Al-Sous Al-Aqsa.

He was accompanied by Rais Mufleh, one of the most important and well-known pioneers of Teroisa art, such as Rais Saeed Ashtouk, “the poet of love with distinction,” as well as Rais Muhammad al-Damsiri, and who distinguished this school in style and achievement. . Rais Al-Hamidi was also considered the most important friend of the artist and companions of his artistic path.

With the arrival of the colonist, Moga, in the Souss region, the artist, like his peers, was willing to pass the Moga contest to join the French lands to work in coal mines and steel and iron factories. .

Raised in an agricultural environment, Rais was accepted by Moga, and then joined the French lands as a worker in various fields.

And as the saying goes, the artist is like a free bird who does not accept to stay in a cage. master and fascinate us with masterpieces and immortals that still delight our audience.

Shahd without honey

With this phrase, Al-Rais Mufleh described himself as not benefiting from anything from art, not even what he needed from medicine, given the large number of poems he organized for other artists and well-known lyrical groups that sing about it and harvest honey and leave the witness empty for him

And one of the most famous people who sang the words and poems of Al-Rais is the international group Odaden in his wonderful poem “Peacefull” and the poem “Your family is your mother” and others… .- The artist said that Abdullah Al-Fawa still visits him from time to time, and this is not strange. Because it is from the character of the artist Al-Fawa and his qualities of charity to artists –

But this is not enough in view of the need to retain the copyright of their owners.

Rais Haj Ider also sang Mufleh’s songs without declaring the owner of the words and melodies, not from near or far, and that should rectify the situation.

The artist Mufleh is considered among the artists who responded to the call of the fatherland and contributed effectively and artfully to participation in the green march. The artist was among the large group of Souss artists who left with the regiments for the southern Moroccan countries have to free. they of the invading colonists, and more than that.The artist composed a poem about the Green March, which the group sang throughout the journey and during their stay in the desert, but after their return from the march has an obstacle they are prevented from recording It.

Since we are facing a pyramid of the art pyramids of Teroissa Bessus, but rather in Morocco in general, and among the few survivors, who are counted on the tips of the fingers of one hand or less, they have the involved and those who is responsible for cultural, artistic and health matters to connect the bonds of commitment and look at the artist in response to Jameel He was ashamed of the artistic scene at the time of the flourishing of the Moroccan Soussa song, especially because the artist suffers in silence, and his pride and arrogance do not allow him to beg or ask for help, but rather as a matter of recognition, celebration and rehabilitation, especially since the artist is bedridden because of his suffering and resistance to the blood pressure disease he caused. has a semi-paralysis at the level of the left hand and the lower limbs, so he became a permanent seat in the house, in the clouds of the noise of friends and time on him, and he says: “Arkazin grew up like a shinag, ”an expression that he faced the men and defeated them, and the dogs devoured him when he weakened, referring to the one who exploited his art and words.

The artist Hussein Mufleh has an important balance of the sweetest sung poems, most of which take the style of chaste ghazal or address social and family problems, especially such as: (Fallahan – Sekwila – Al-Masira – Eclad – Oored King Guy Ouarzazate – Sahara – Ashtoken – Al-Braj Mast – Al-Din Donet – Aberkakan Dimhsaden – Eduz Asoud Al-Amart ……… ens.

And we appeal to all who are interested in the artistic field of Bsous to invest in the artist’s lyrical experience as long as he lives, may God prolong his existence, this at the level of writing down his artistic legacy and the publication of his manuscripts and the introduction of him and his artistic production which some attributed to themselves.

In terms of the financial aspect, we appeal to those responsible for the audiovisual sector to settle the artist’s copyright and give him the dignity and special attention he deserves. The health and material condition speaks for itself.

Editing: D. Al-Hassan Obahman

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